Raised in an all-White, working-class suburb of Cleveland, Lukasik had never thought of her parents as anything but Caucasian. When her mother was nearing the end of her life, she presented Gail with a family photo album that rocked not only her relationship with her mother, but also her fundamental sense of identity.
After doing genealogy research, she found that her mother began “passing” as a White woman in Ohio in her twenties after being raised as Black in New Orleans. She also discovered several of her grandfather’s relatives with whom she later reconnected — and reunited — with.
We caught up with Gail from her home near Chicago to talk more about the process of making the film and what it means to uncover a new racial identity and learn about the complexities in her family’s past.
SK: I want to start by saying that this short film we made with you for HP is one of our all-time favorites. It was such an honor to tell your story. I would love to know, in hindsight, what the process was like for you and what it is like rewatching it now, a couple of years later.
GL: It was a wonderful experience. But it was also nerve-wracking and very emotional for me personally. When I watched it recently, I cried again. I think for me too, watching it again, reinforced my deep sense of loss about my mother. That in life, I didn’t know her, truly know her. Maybe that’s true for a lot of mothers and daughters. I don’t know. I can only go by my experience. But to me, she always held something back. Even when I promised to keep her secret, she was unwilling to talk to me about what she had gone through. Watching the film reinforced that loss.
On a more positive note, the film made me realize how unlikely it was that I would actually find this family that was lost to me. Every time we get to that part in the film, where there’s Moe, and Lauren, and A.J., and we’re having that dinner, I think, “Oh my God, how did this happen?” How unlikely is it in life that something like that occurs? Very unlikely.